This article takes up the concept of local food in the context of rural Central Wisconsin. It examines the encounter between two locals—that of the local food movement and that of the denizens of the area—as a means of unearthing the silences and assumptions implicit in the word as wielded by each community. Rather than having the naturalized meaning that many in food activism impute to it, the local is socially constructed and engages people with diverse worldviews.
This essay illustrates how Italian American home winemaking in Boston, Massachusetts, may be used as a lens with which to view aspects of cultural patrimony within the Italian American cultural experience.
This work employs visual ethnography to document a day in the life of a restaurant chef de cuisine, by examining the experience of a culinary practitioner rather than that of a consumer. The research is concerned with situations that may arise when a professional cooks on the spur of the moment, or “improvises,” when creating a new dish.
In this ethnographic account — a blind dining restaurant, where visually impaired people lead sighted patrons into pitch-black dining rooms and then serve as their waiters — becomes the field site for a “sensory apprenticeship,” an experiential approach to accessing sensorial, embodied, and affective ways of knowing that otherwise elude visual observation.
Andrea S. Wiley explores the material and cultural characteristics of milk in the United States and India, illuminating how each country’s distinctive political, economic, religious, and historic context produces divergent meanings attached to dairy.
In High on the Hog, Jessica B. Harris constructs an elegant narrative history that connects the culinary experiences of the African and American continents to show how African Americans shaped the country around them.
Pure and Modern Milk: An Environmental History since 1900 is a cogent study of dairy production from the turn of the twentieth century to the present.