Occupying a critical middle ground to these discussions, philosopher Erin McKenna provides a fresh, honest approach to this long-standing debate about eating animals in her reflective text, Livestock: Food, Fiber, and Friends.
Culinary Poetics and Edible Images in Twentieth-Century American Literature by Stacie Cassarino is about art and its influence on everyday consumption. Cassarino argues that gastronomic avant-garde literary texts influence national consumption and that these shifts subsequently influence what’s for dinner.
In Black Food Geographies: Race, Self-Reliance, and Food Access in Washington, D.C., Ashanté M. Reese explores how Black communities are left behind in the urban renewal process due to racism, historical geographical segregation and disinvestment of Black neighborhoods, and how these communities navigate low food access. Often ignored by the literature on food access and food security are the coping mechanisms people in these conditions develop to acquire the foods they prefer or need or how people create meaning in the process of doing so.
In “Burgundy: A Global Anthropology of Place and Taste,” Marion Demossier tackles the various socio-cultural, political, and professional practices surrounding the oenological region of Burgundy.
In “Pressure Cooker,” sociologists Sarah Bowen, Joslyn Brenton, and Sinikka Elliott set out to challenge dominant narratives about fixing the food system. By analyzing their ethnographic study of nine women, they reveal the complex factors that form a family’s eating habits.
Kevin Kosar’s “Moonshine: A Global History” explores the plethora of moonshines across time and space in an effort to disavow his readers of stereotypical American associations of moonshine and moonshiners.
Gitanjali G. Shahani’s edited collection “Food and Literature” prioritizes a variety of literary texts (not all Western-focused) to theorize the relationship between language and food, consumption as both reading practice and eating practice.
In “Governing Bodies: American Politics and the Shaping of the Modern Physique,” Rachel Louise Moran draws from history and women’s studies to consider if the federal government should have a say in what you eat, or how a body should look.
In “Every Nation Has Its Dish: Black Bodies & Black Food in Twentieth-Century America,” Jennifer Jensen Wallach thoughtfully links Black bodies and Black food consumption as a means of national inclusion and distancing.
In “Italian Food Activism in Urban Sardinia,” Carole Counihan examines the activities of numerous groups across the Mediterranean island, with particular focus on taste as a political and educational tool.